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L. Pescador, 1995
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Yoruba, Veranda Pillar
(Nigeria) - wood,
polychromy.
h 144cm
(Private collection,
Venezia)
photo by Sutto, Mirano.
This marvelously carved
Yoruba pillar depicting motherhood was part of the temple of Shango,
the powerful god (orisa) of thunder and lightning, in the
Agbeni district of the city of Ibadan in Nigeria, photographed on-site by
the famous German scholar Frobenius in 1912. (See photo).
These splendid evocative
pillars decorated the porches of royal palaces and the houses of senior
Yoruba dignitaries, as well as the facades of temples containing the
sacred altars of the spirits, orisa.
Over the course of time
wood eating insects or rodents caused the significant deterioration of the
pillars. They were, however, often not replaced with new ones. The owner
or person responsible for the damaged structure could give the pillars
over to the highest bidder for purely economic reasons, choosing not to
substitute them.
The destruction of
several of the royal pillars of Efon Ayale, carved between 1912 and 1916
by the great master Agboniofe, is emblematic in this regard. In 1930, a
large number of the pillars pertaining to the famous Adeshina family
sculpture studio, were burned by fanatics of the independent African
Christian Church, who branded them as "pagan". They were eventually
stopped by priests of the Roman Catholic Church.
Bibliography
(incomplete):
Abioudun R., Drewal H. J.,
Pemberton J.III, Yoruba Art and Aesthetics, Zurich, 1991.
Drewal H. J., Pemberton
J.III, Yoruba Nine Centuries of African Art, New York, 1989.
Fagg W., Pemberton J.III,
Yoruba Sculture of West Africa, London, 1982.
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